Not My Usual Stuff,
(Literary
recommendations for pandemic days)
Right off the top, I confess to being an
unashamed junkie for good crime fiction. Hard boiled private eye, world weary
cop, intellectual crime solver - just doesn't matter, I like 'em all as
long as they're well written. That’s what all the following is about.
If you don’t read for pleasure stop reading now. But if you do, stay the course
and I’ll introduce you to some new addictions, in all probability.
Of course, the genre as we know it, at least
in English, may be traced back to Edgar Allan Poe's 1841 short story, "The
Murders in the Rue Morgue." Poe's brainy, logical, Auguste Dupin, provides
the prototype of what Conan Doyle superbly fleshed, out 47 years later, in Sherlock
Holmes, as the "consulting detective" inn his seminal short novel “A
Study in Scarlet.” (Holmes remains the most widely published detective in all
of English literature!)
Between Poe and
Conan Doyle, English novelist, Wilkie Collins, expanded the genre from short
story to novel. Collins is generally credited with the first great mystery
novel, 1859’s "The Woman in White." Dorothy L. Sayers singled out Collin's second
crime novel, "The Moonstone," (1868) as "probably the very
finest detective story ever written". “The Moonstone” is still, even
today, a great read!
In support of that, even though Collins is
unknown to most American crime fiction fans, "The Moonstone" contains
a number of ideas that have established, in the form, several classic features
of the 20th/21st century detective story: The "inside job," red herrings, skilled,
professional investigator, Bungling local cops, detective inquiries/ methods, large
number of false suspects, the "least likely suspect," a "locked
room" murder, reconstruction of the
crime, and a final twist in the plot. Collins brilliantly incorporates all
these in "The Moonstone." As mentioned above, Conan Doyle later elevated
the short story genre to popular art form with Sherlock Holmes, the protype of
the analytical, quirky “private eye.”
The genre has
been broken down into several subtypes. From the quirky eccentricity of Miss
Marple, Nero Wolfe, Hercule Poirot - all civilians drawn into mysteries, to the
equal eccentricity of some fictional cops, from Inspector Morse, John Rebus, Special
Agent Aloysius Pendergast, Columbo, Thomas Pitt, and quadriplegic savant
Lincoln Rhyme, to Tony Hillerman's Navajo master detective, Joe Leaphorn. All
have been portrayed as TV gumshoes except Pitt, whose exploits in his stomping
grounds in Victorian London have been chronicled in 35 (so far) novels by the
prolific Ann Perry.
On the other
end of the spectrum, we are presented with world weary, jaded cops, exemplified
(in my humble opinion) to its very finest example in Michael Connelly's iconic Harry
Bosch, with James Lee Burke's Dave Robichaux a close second. This group includes Law and Order’s Lennie
Briscoe and, Bobby Goren, and Robert B. Parker’s Jesse Stone. Current (and
prolific) UK authors well worth a read include Ian Rankin, Val McDermid, Peter
Robinson and the Anne Cleeves. Ms. Cleeves’ works have spun off two much
acclaimed current TV series, “Vera” and “Shetland.” The others, one series
each.
Private
detectives in American fiction tend to be descendants of Philip Marlowe and
Mike Hammer. Examples include Sam Spade, Spenser, Lew Archer, and Elvis
Cole/Joe Pike - jaded, sarcastic running to smart ass, and generally chick
magnets. Some atypical exceptions such as Easy Rawlins, VI Warshawski, and
Kinsey Milhone and the decidedly oddball Stephanie Plum, also occupy a place on
the "private eye" roster, different in demeanor and method, but
effective, nonetheless. In the corner all by himself, because he defies
definition, is Lee Child's terrific Jack Reacher, not a detective or a cop, but
you have to call him something. A recent and very readable new face in this
group is Cormoran Strike, JK Rowling’s war wounded, amputee, detective penned
under the pseudonym Robert Galbraith.
Recently,
(actually over the last several years) while I constantly look for and read
books by the staple group above, I have been immersed in Scandinavian crime
fiction. There are some terrific authors and some amazing characters to be
explored if you are unfamiliar with this treasure trove of great writing. I
started with Norwegian, Jo Nesbo, whose protagonist Harry Hole is an Oslo
homicide cop. Read them in order, as Nesbo develops the character
sequentially. A close second place is
actually a tie between Jussi Adler-Olsen, a Dane, and Henkell Manning, Swedish
master author. Adler Olsen's Karl Morck
has been relegated to the equivalent of the Copenhagen cold case squad. All you
need to know is that there are (so far) five terrific novels.
It was with almost a sense of loss that I
recently finished Henning Mankell's final Kurt Wallander novel, "The
Troubled Man" There are 11 novels and 1 volume of short stories in the
series, again best read in order. All the novels were feature length movies,
played on BBC in Swedish with subtitles, and so loved in the UK that they were
all remade in English starring Kenneth Branagh in the title role. A second superb Swedish series are the novels
of Helene Tursten, featuring Stockholm police inspector Irene Huss. These have all also been made as films with
subtitles. (all the above authors are available in English)
A final
recommendation is Icelandic Author Arnaldur Indridason, whose series set in
Reykjavik and environs (pretty much all of Iceland) features Inspector
Erlandur. There are 14 books in the series, the last 12 of which are available
in English.
I have found
all these authors extremely refreshing in their great detail to character
development and international connections. Henning Mankell's death in 20I5 was a great loss to the genre, but most of the others mentioned above
remain productive, I urge you to give them a try.