Sometimes shit happens that just makes you go
"huh?" It happened this morning, as I heard someone say they'd seen "The Man of Steel" last
night. We'd seen it several days ago and liked it fairly well, so I said,
"How'd you like it?" The answer: "Too much theology; I didn't
'preciate it." Now I'm a fairly
perceptive kind of guy, but whatever I saw other than the ubiquitous good vs
evil story , which is the crux of every superhero movie ever made, wasn’t
theology. I asked where he saw it , he
said it was all through the movie. I had nothing else to say. I suspect this
person has a very hazy definition of theology and confuses it with morality and
philosophy, neither of which he really understands either. If you really want
the tortured, morally conflicted superhero looking for his role in the world
look to the night sky over Gotham City.
Superman, and all the accoutrements of the story surrounding
his origins were invented as a comic
book superhero created by writer Jerry Siegel and artist Joe Shuster, high
school students living in Cleveland, Ohio, in 1933. Superman helped to create
the superhero genre and establish its status as paramount within the American comic book culture of my
youth (late 40s-to mid 50s.)
The origin story of Superman, as invented by Siegel, relates that he was born Kal-El on the planet
Krypton, before being rocketed to Earth as an infant by his scientist father
Jor-El, moments before Krypton's destruction. Discovered and adopted by a
Kansas farmer and his wife, the baby boy is raised as Clark Kent and through the
adopted parents develops a strong moral
compass. Very early he started to display superhuman abilities, which upon
reaching maturity, he resolved to use for the benefit of humanity. Superman,in
his alter ego of Clark Kent, lives and
works in the fictional city of
Metropolis. As Clark Kent, he is a journalist for a Metropolis newspaper called
the Daily Planet. All these details are consistent with the movie, and all were
well established by WWII.
Why go into all this? I do so because instead of the above
mentioned religious connotations, tenuous at best, the real story is Superman’s
immigrant status!
In the most recent movie we see the
character as pushing the boundaries of acceptance in America. His extraterrestrial origin challenges the notion that Anglo-Saxon ancestry is the
source of all that is good and right. Through the use of a dual identity, the
Superman story allows immigrants to identify with both their
cultures. The mild mannered, thoroughly Americanized Clark Kent represents the
assimilated individual, allowing Superman to express the immigrant’s cultural
heritage for the greater good. Others
might argue that some other aspects of the story reinforce the
acceptance of the American dream, since the only thing capable of harming
Superman is Kryptonite, a piece of his old home world.
In spite of all this literary analysis, the simple truth
remains. It’s a friggin’ comic book
story, made up by high school kids in
the depression to make money for food.
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